PANEL: TRICKY AUDIO
09:30-10:30 – Four eminent tool developers; Phillippe CHENEVEZ (CINELA), Jonáš GRUSKA (LOM AUDIO),
Caleb HILL (PRO SOUND EUROPE) and Simon JORGENSEN (IDDQD) – renowned for inventiveness
and multiple socio-economic skills – will be gathered on Stage, to answer the most thrilling
questions.
Wisycom: Daniel Jäger
10:30-11:30 – Join us for an exclusive deep dive into Wisycom’s cutting-edge wireless systems and solutions with technical expert Daniel Jäger. Bringing the latest state-of-the-art gear, Daniel will guide you through the newest advancements in transmitters, receivers, antenna distribution, combiners, and RF over Fibre solutions.
LOM: Jonáš Gruska
11:30-12:30 – Jonáš Gruska is a co-founder of LOM, music label, cultural space and microphone manufacturing company in Bratislava, Slovakia. LOM creates unique field recording solutions for recording sound, electromagnetic fields and vibrations.
AUDIO TECHNICA: David Walter
11:30-12:30 – BP3600 – die Mikrofonlösung für ein dreidimensionales Klangbett
Ein praktischer Ansatz zum Einfangen von immmersiven Geräuschkulissen bei Sport-Events, Filmsets, Konzerten, Festivals und mehr.
DPA: Benny Breuning
12:30-13:30 – Step into the world of exceptional sound with this hands-on Microphone Workshop. Whether you are looking to achieve crystal-clear speech intelligibility, want to learn more about the new CORE+ by DPA technology that eliminates distortion or get to know better the latest products of DPA Microphones, this workshop will equip you with the essential skills to elevate your audio game.
Ambient: Benedikt Meirer
13:30-14:30 – Beyond Timecode: Synchronizing cameras and audio recorders using timecode as reference saves a lot of time in post-production.
In this workshop we look at the edge cases of synchronization. What is the difference between timecode and genlock? What to do if there is an offset? How can I use the Rec Run Mode on my Sound Recorder? And what do I need to consider in virtual production studios?
FULL
Schoeps: Florian Gundert
13:30-14:30 – Background noise, proper leveling, wireless operation, sound quality, directivity, and handling—the challenges of using microphones on a film set are diverse. Digital microphones promise to address some of these issues while offering new possibilities. But what are the real advantages, and for which applications are they best suited?
Cinela: Philippe Chenevez
14:30-15:30 – the never ending story between users and manufacturers
Overview of the many contradictions fuelling the debate between people in the field and white lab coats.
PSYCHOPHYSIOLOGY COHERENCY IN DIRECT SOUND
1530-16:30 – In times of AI, mainstream cinema needs to be questioned and redesigned… Dedicated audio tools and boom driven microphones belong to the
main strategy for a raw flow cinema. A cinema uplifted by humans and captured by masters in psychophysiological coherency.
Club Cantar
15:30-16:30
Invited by the Austrian film sound association (FTA), the Club Cantar slot is a get together opportunity to meet those who keep on using the cantar X3, and some of the Cantar Club members. Yves-Maire Omnes will come from Paris to represent the Leaders of the club.
Nota Bene, the Club Cantar was created to provide fast, efficient hardware and software support for the X3 and mini.
BOOMING CHOEROGRAPHY
16:30-17:15
(by les funambules du son direct)
This boom dancing show is an ongoing research that intends to find out, year by year, how boom operators interact. How they collaborate to
create a unified and compelling performance, being sensitive to a collectively evolving consciousness.